But Mihailov remained equally chilly to all of them.

Anna was aware from his eyes that he liked looking at her, but he avoided conversation with her.

Vronsky's talk about his painting he met with stubborn silence, and he was as stubbornly silent when he was shown Vronsky's picture.

He was unmistakably bored by Golenishtchev's conversation, and he did not attempt to oppose him.